“Rainey brings an intellect that is both beautiful and terrible to behold. She’ll sew together a tapestry of experiences, ideas, and practical solutions. You won’t be able to see the stitches.” —Trevor Jones, CEO, History Nebraska
My work is human, multidisciplinary, attentive—and grounded in expertise with:
interpretive planning
strategic planning
collections planning
developing new approaches to collections stewardship
capacity building
leadership coaching
professional development workshops
content and conceptual development
experience design
idea generation
prototyping
city museums
local history and place-based interpretation
placemaking
My Guiding Principles
Creativity is my religion. I study it, I practice it, I preach it. Creativity makes our work more effective and impactful. It’s what distinguishes a mediocre organization from an excellent one.
Organizational progress is a result of curious exploration, serious play, and continuous experimentation that builds on existing strengths. It’s a messy and open-ended process—the most important things in life usually are.
When museum professionals bring their whole selves to work, they bring more passion, dedication, and value. And when they have an opportunity to use their whole selves in the service of positive change—not just hear or read about it but experience it for themselves—they can transform institutions.
Talking, listening, collaborating, storytelling, sharing—investigating together. Museum experiences are most powerful when they facilitate a conversation about what really matters to us as members of the human family. These exchanges are equally important behind the scenes as they are with public audiences.
Museum practice is stronger when it is informed by social science. Psychology, sociology, and neuroscience offer new findings about the environments, tools, and approaches human beings need to be our best selves. This research helps me develop new strategies for improving museums.
Approaching each project in a spirit of collaboration, trust, and generosity. Museums, like other types of not-for-profits, too often operate from a position of scarcity. I model the openness I want to see in the field.